Strange Ciders Project
Culture is a 3.5 billion year-old project. By culture, I’m
referring to the continual organization, communication, and exchanges amongst
species to the ends of coexistence and progressive complexity. The microbial
world was one of the first cultures to emerge; it’s also been one of the most
successful, diverse, and durational. It’s true that our (human) culture, as we
currently imagine it distinct from the domain of the natural world, is founded
and totally dependent on the existence of these microscopic ecologies.
What we think of as the self—the idea of who we are as an
individual distinct from our surrounding environment, including others who
occupy that environment—is in fact a historical artifact and a farce. Each
‘one’ of us has ten times the amount of individual microbial cells in our body
than our own cells. That’s as much as six pounds of our body weight! Our very
early biological development, digestion, and immune system depend on this.
Knowing these facts, how could we still presume to think that the term
‘individual’ is an accurate label? We are mostly and vitally not ‘ourselves’ at
all.
Also curious: the belief in the existence of bodies. Like
the ‘internal self’, our bodily identities have been worked and reworked in order
to distinguish, separate, and individuate. We need alternatives for future
iterations! We are not suggesting a bodily transcendence; on the contrary, we
are advocating a bodily dissolution into the world, into networks, and into
environments. We are barely discernable from our surroundings. We are always
multiple. We consist only of flows, communications, and processes.
The microbes know how to live. They’ve been doing it longer
than we have and in more diverse ways. The smallest living organism is a nanobacteria,
or possibly a protobiotic known as a nanobe; the largest living organism is a
fungus in Oregon measuring 4 square miles. The oldest organisms on earth are a
250 million year-old bacteria found beneath a salt flat and 40 million year-old
bacteria living in the belly of a bee found in a chunk of amber. We mention
these extremes only to point to the tendency that microbes have to be creative
and radical in their living strategies and practices. We think that in addition
to the anthropological study of these cultures, it would behoove us to
establish friendships, romances, and enduring relations with the inhabitants of
this world.
We needn’t travel far to undertake this endeavor. We need to
look inside ourselves, literally. Our guts, skin, orphuses, all contain
populations, ecologies, and communities. We are looking to these multitudes for
collaborative opportunities and creative potentials. The idea of displacing
creativity outside the bounds of the human seems very enticing to us. To this
end, we want microbes at the forefront of our process; we want to follow them
into an inter-species microbe/human world that offers new problem-solving
strategies, politics, value systems, and ways of living. Eating pro-biotic
yogurt doesn’t quite cut it.
We’re culturing yeasts from human body parts (hands, feet,
crotches, bellybuttons) in order to combine them with hand-gathered fruits to
create wild-fermented beverages that will not only intoxicate you, they’ll
change the way you think and behave; they’ll give you more things to talk about. This is social drinking in the most
radical sense.
We’ve been activating new ways to entangle ourselves in
dynamic, symbiotic, and productive relationships with these indigenous yeast
species. Ciders, beers, and wines are as old as Homo sapiens, the enjoyment of alcohol older and universal. For
most of this history, the yeasts used to produce beverages had arrived as part
of the fruit or grain ecology, omnipresent on the surface of things. They never
left, but have been continuously ignored and replaced with more efficient
organisms that have been selected to suit a normative taste, expectancy, and
behavior on the part of humans. We’re bringing the ecology back but in ways
that have never happened before; cider-making is no longer an addition of
ingredients and prescribed process; it’s a set of practices, experiments, and
an interaction of diverse ecologies meeting each other for the first time. We
have fabricated a posthuman beverage with each glass constituting a world.
Diagrams:
Current Bibliography for Cider Project
DONNA HARAWAY—Feminist scholar examining human/animal
relationships, science studies, and the posthumanities. When Species Meet, and Simians,
Cyborgs, and Women are the two books I have from her so far.
ANGELA E. DOUGLAS—A biologist, author of The Symbiotic Habit. I’ve read this book
once before, and even though it’s completely scientific (not ‘philosophical’)
it contains many amazing ideas that run contrary to many Neo-Darwinist concepts
of evolution. The most important of these is that competition is not a
necessary or even common dynamic between symbiot and symbiont.
PATRICK E. McGOVERN—An archaeologist based in Philidelphia,
he writes on the ancient history of alcohols and wines, and there impact on
culture. I bought two of his books, Uncorking
the Past and Ancient Wine and am
looking forward to reading them this break.
JERRY LEWIS, THE NUTTY
PROFESSOR—Classic movie, doesn’t he drink something that changes him?
ISABELLE STENGERS—A philosopher of science/cultural theorist
dealing specifically in ‘political ecology’, a posthumanist political vision
that grants things, ideas, and nonhuman animals their proper agency. Cosmopolitics I and II are her
best-known works, this break I’ll be reading I.
BRUNO LATOUR—Same as Isabelle Stengers, a political
ecologist. The Politics of Nature
I’ve read and is an amazing book, reading next Pandora’s Hope.
LYNN MARGUILIS—A theoretical biologist, prolific writer. Symbiotic Planet: A New Look at Evolution
recently caught my eye.
KAREN BARAD—Takes political ecology a step further. Instead
of focusing on the agency of things within a political network, she is more
interested in the relationships that happen between things (intra-actions) that
allow for the emergent property of ‘agency’ and even the emergent category of
seemingly distinct ‘things’.
ERIN MANNING—Artist/philosopher, author of Relationscapes. Hopefully this book is
about relations within scapes, that would be perfect for my project.
DELEUZE—‘Body w/o Organs’ posits a theory of bodily
becoming.
GUATTARI—The Three
Ecologies is an instruction manual for breaking cultures and making new
ones.
SANDOR KATZ—Queer communist author of The Art of Fermentation and Wild
Fermentation. Both books posit forth radical histories and practices of
food production and consumption, as well as recipes and instructions.
ARAKAWA AND MADELINE GINS—Two artist/architects that have
exhausted the nature of being-in-environments, being-ecological (although I
don’t think they’ve ever explored this via biological relations.
JANE BENNETT—Another political ecologist. Author of short
book Vibrant Matter.
THE YEASTS: A TAXONOMIC STUDY—Edited by Kurtzman, the
biological bible of unicellular fungi. Three volumes, covers everything. $400
but UMaine has it as an e-book that I’ve been downloading 50 pages at a time.
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